No matter how long it’s been after an artist’s big break, sometimes it all slightly sounds the same, swirling in a similar pot of murky heartaches and drifting lullabies.

That seems to be the case in James Blunt’s fourth album, “Moon Landing.”

Since 2005, Blunt has become notable for a certain whimpering sound and, more specifically, singing songs of melancholy in “You’re Beautiful” followed by “Goodbye My Lover.”

The first single from the album, “Bonfire Heart,” is backed with a strong guitar strum and Blunt’s deep hums, topped with harmonies that peak right up there below falsetto.

“People like us, we don’t/Need that much just some/Days like this lead to/Nights like this lead to.” – lyrics that are not only catchy but also intriguing. “Bonfire Heart” is definitely worthy of being a single and will make its presence known on radio charts.

Ballad after ballad, it is more than thrilling to come across a few seemingly upbeat tracks such as “Satellites” which is strong and beats in your chest.

When listening to the lyrics a little closer, however, it turns out to be just as heart-wrenching as the rest of the album. As though a suicidal misfit was smiling while taking a razor to their wrist, this track throws a wrench in the wheels.

“Heart to Heart,” on the other hand, is quite charming and upbeat. It contains a piano riff that sounds a little too familiar, but carries a feel good vibe, one that almost brings listeners to their toes.

It’s quickly followed by another guitar riff that will echo familiar to Blunt’s long-time listeners. “Bones” exudes a feel good atmosphere, this track allows one to not only tap their foot but feel lighthearted as well.

“Telephone” is backed by a ukulele and was the highlight of the album: truth, lightness, a simple love story. If Blunt were able to continue to key in songs like this one, ending with a sweet and simple hook, it could change his image for the better and possibly grow his audience base.

Overall, “Moon Landing” isn’t too impressive. After eight years, nobody wants to hear the same sad story over and over again in a different key and a slightly altered song.

What stands out from the 14-track album were a few lighthearted, upbeat songs that throw the album off its charted course, but in a redemptive way.